Hello there, avid readers of my blog. Each and every one of you. Including you, the little one, third from the right. No, the one next to you. Yes, you. Hello.
That was random.
Anyhoo, today Iapos;m working my first Saturday shift at the HTC. Exciting, no? Right Not exciting Meh, its easy work, Iapos;m getting paid, and its at least something to do. Sporadic something, sure, but something nonetheless.
Last night, James and I went and saw the national tour of A Chorus Line, at the Opera House, here in Boston. apos;twas an interesting experience. We met a very nice woman before the show from Atlanta, who chatted with us. She was fun. The show.... A big apos;ole mixed bag. Overall, let me say that it was an incredibly enjoyable performance of one of the best musicals of all-time. The cast all danced fabulously, I donapos;t have a single issue with that aspect of the production. However, some cast members were extremely under-whelming, acting-wise. While there were some definite highlights in the cast (including Nikki Snelson as Cassie, and Jay Armstrong Johnson as Mark), a large percentage of the cast seemed to have been cast on the basis of dancing alone. While the dancing is an obvious requirement for a show like A Chorus Line, a majority of the characters are so wonderfully rich and vivid that it is a real let-down when the performers cannot act the roles. Perhaps it is just my assessment (James did not have a problem with one melodramatic cast member I talked to him about), but it just didnapos;t work for me. But, that said, the show speaks for itself. Thereapos;s a reason A Chorus Line is widely-regarded to be one of the best American musicals ever written.
Thatapos;s essentially all I have for todayapos;s post. Itapos;s been a week full of work (which is good), as well as seeing A Chorus Line. So, yeah. Before I go on with more meaningless, random filler (see first paragraph), Iapos;m going to peace out. Sooo, peace out.
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